When Did William Blake Start Writing Poetry

Early Life of William Blake

William Blake was born in 1757 in London, England, where he also attended school and art college before moving to be with his parents in 1778. His father was a haberdasher and attended the local dissenters’ church, which opened Blake’s eyes to the wider world of poetry, Proverbs, and Biblical stories. He was fascinated by the writings of Milton and Bunyan and by the time he was in his twenties was inspired by their religious passion and their contemplation of spiritual matters.

Blake was apprenticed to an engraver as a young man, and apparently taught himself the basics of engraving. He went on to make prints of his own, drawing in detail much of what he saw around him. Through his engravings, he sought to capture the beauty and truth of nature and the human experience, and developed a strong, personal style. This led naturally to his poetic style too, where Blake used the language of poetry to express his own beliefs and insights.

William Blake’s Writings

Blake’s first published poem, “Thoughts on the Death of a Young Lady”, was released in 1783. The poem has biblical and political overtones, and Blake’s style was further developed with The Evening Redness in the West, a poem about the fall of Jerusalem. In this poem, he uses vivid imagery to describe a city under siege, and expresses his personal fantasy of a spiritual rebirth.

Blake soon released a series of shorter poems focusing on religious and pastoral themes which included the famous “The Lamb”, along with works such as “The Tiger”, “The Marriage of Heaven and Hell” and “The Garden of Love”. These works often employed a kind of double-edged symbolism, blurring the distinctions between good and evil, and realism and fantasy. Blake found new inspiration and creativity in these works, and his style continued to develop as he further explored his own spiritual vision and understanding.

Development of William Blake’s Poetry

Blake’s career was marked by a series of increasing works of increasing complexity and depth. He wrote longer works such as Songs of Innocence, Songs of Experience and Milton, which explored themes such as childhood, innocence, maturity, and redemption. These works, written over a period of forty years, demonstrate the evolution of Blake’s poetic style and his increasing commentary on the realities of life and the spiritual realm, often in a tone of questioning and rebuke of traditional religious thought.

Blake’s later poetry was his most ambitious and mature work, often written with a symbolic meaning that would challenge and engage readers. His most famous works include Jerusalem, The Four Zoas, and the recently discovered Vision of the Last Judgement, which explore the deeper questions of faith, righteousness, and justice in a more melancholy tone. These works demonstrate how Blake was able to draw on and expand on the core symbolism of his earlier works while developing his own distinct ideas and contemplations on life and death.

Legacy and Influence of William Blake

Blake’s literary legacy and influence has been compared to some of the greatest English poets of his time, such as Shelley, Keats and Wordsworth. His work has been embraced by later generations of poets, songwriters, and visual artists, who have seen in him a kindred spirit and a powerful challenge to prevailing social and religious beliefs. His works have been interpreted in many different ways, often defying any single interpretation.

Blake’s perpetual search for truth and meaning in his works has left an indelible impression on English poetry and its echoes can be found in many twentieth century poets, from Wordsworth to Eliot, Hopkins to Larkin. Many critics have described Blake’s work as a turning point in English literature, a creative force that inspired the writers of the following centuries and shaped the intellectual and spiritual identity of the nation.

William Blake and the Romantics

Blake is often grouped with the other leading figures of the Romantic movement such as Keats, Wordsworth, and Shelley. This is due not only to the themes and preoccupations of their work, but also to their rejection of Neo-Classical conventions and a return to the spiritual and moral powers of the medieval and Biblical worlds. All of these poets shared a desire to tap into the power of imagination, and where Blake is especially unique is in his use of symbolic language and his intense, visionary character.

Blake’s poetry has been cited by later Romantic writers and critics as an inspiration, and his influence can be found in the works of Keats, Shelley, Byron, and Coleridge. His celebration of Nature, his belief in the power of the imagination, and his intense, passionate style left a lasting imprint on the Romantic writers and poets of the 19th century.

Conclusion of William Blake’s Poetry

William Blake’s poetic legacy is both prodigious and far-reaching. His confrontation of social, political and religious issues has made him one of the most-studied and admired poets of the English language. His works have inspired countless readers and writers, and he has come to be seen as one of the greatest English poets of the Romantic period.

Symbolism and Imagery in William Blake’s Poetry

A central element of William Blake’s poetic diction is his intricate symbolism, through which he sought to move beyond the conventions of traditional poetic language. Blake’s use of symbols and imagery reveals the full extent of his imaginative vision, and this has captivated readers for generations. His symbols and symbols of symbols served to suggest spiritual realities that could not be expressed in literal terms, and his mysterious and sometimes jarring language kept his readers always seeking the deeper meanings in his works.

The depth of Blake’s symbolism and the richness of his images were a major source of inspiration to later poets, who praised his ability to move beyond conventional forms of language and explore the depths of the human heart and the power of imagination. His works remain some of the most captivating and complex poetry in the English language, and he will always be remembered as one of the great poets of all time.

Social and Political Implications of William Blake’s Poetry

William Blake’s poetry also has a strong political and social component which was often overlooked in the Romantic period. Though he rejected the conventions of his time, his works often had political, social and moral implications which he sought to express in the form of symbols and metaphors. His works spoke of the injustice of the industrial revolution and poverty, the unfairness of slavery and the dangers of oppressive government. His contempt for civil authority was clear in his works, and he was among the first to challenge the assumptions of the elite classes.

By framing his work in symbolic terms and by rejecting traditional forms of language, Blake succeeded in expressing his political and social views without having to directly engage in debate or controversy. This made his work a powerful tool for social change, and his works remain essential in the English poetic canon for their complex and nuanced expression of political and social issues.

William Blake’s Influence on Later Poets

Blake’s influence can be found in the works of many of the major poets who followed him in the Romantic period. His unique blend of symbolism and moral comment had a tremendous impact on writers such as Wordsworth, Coleridge and Keats, who adopted elements of his work in their own writing. Later poets such as Eliot, Auden and Larkin echoed his passionate yet sceptical attitude, and his works were a great source of inspiration to the Beat poets of the 1950s, who embraced his rebellious attitude and his poetic excess.

Though his works embody many of the conventions of Romanticism, Blake’s rejection of traditional kinds of language and his pursuit of a higher truth through symbolism and moral comment remain a key part of his legacy. Long after his death, his works continue to inspire and challenge readers and writers alike.

Dannah Hannah is an established poet and author who loves to write about the beauty and power of poetry. She has published several collections of her own works, as well as articles and reviews on poets she admires. She holds a Bachelor of Arts in English, with a specialization in poetics, from the University of Toronto. Hannah was also a panelist for the 2017 Futurepoem book Poetry + Social Justice, which aimed to bring attention to activism through poetry. She lives in Toronto, Canada, where she continues to write and explore the depths of poetry and its influence on our lives.

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